Yes, ISBNs cannot be “assigned” like a contract. It is impossible for me to cover all the potential issues, and I’m not a lawyer, so my advice is to ask the publisher about the copyrights and then seek an attorney with copyright experience.
If your book used photos or other illustrations, those too often have copyrights.Īnd who if anyone registered the copyright? Depending on your contract and circumstances you may need to file an assignment of rights. Copyright mattersĬhances are that your name is listed on the copyright page as the “owner.” But as we discovered with the cover and interior, there may be other rights holders. ” Again, this depends on the publisher and varies from book-to-book, but like the cover, it is something you will need to either get the rights to, or you will need to redesign the book. While this is rarer, it is possible that you’ll discover a statement on the copyright page that says something like “Interior book design are by. Does the interior design carry a copyright? This saved her a lot of money and ensured branding continuity.
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With some minor adjusting to the cover PDF we were able to use one of the standard CreateSpace print book templates. Fortunately Hay House granted her permission to use the cover and provided the original files. Several years ago author Linda Savage contacted me about keeping her classic Reclaiming Goddess Sexuality in print. The publisher may or may not charge you for this file. These might be in the form of a PDF, or the original files such as Photoshop or Illustrator. (Try not to use a scanned image because it will look like it was scanned, yuck!) You definitely need high resolution files if you plan to produce a print book. If you are doing an eBook you only need the front cover and can get by with a lower resolution image. If you are granted permission to use it, you will need the original art, aka the graphic file(s).
For your own peace of mind, and protection, do not assume anything and seek competent legal help if this is the case. It might also incorporate images or fonts that have their own copyright and were simply licensed. But it is common for a cover design to have its own copyright. Or come up with a more contemporary design. If you don’t like the current cover this is a moot point and (finally!) your opportunity to produce the cover you always thought the book should have. This is not meant to be legal advice so contact your attorney, or agent if you have one, should you have questions. Keep in mind that I am generalizing here and that your rights and opportunities depend greatly on your contract’s reversion clause-if it even has one.
Step two includes addressing the questions and considerations associated with actually publishing the book. Step one involves working with your publisher to determine what elements of the book you have the right to use. Generally we can divide the issues into two steps.
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Without trying to interpret contract clauses or how to negotiate the “reversion rights” of your publishing agreement, I thought it would be helpful to talk about the key considerations should you choose to self-publish. If the publishing rights to your book recently reverted back to you, you might be considering the indie publishing route for your title rather than trying to find a new publisher, or simply allowing your book to be out-of-print.
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